{"id":28,"date":"2019-12-10T19:03:00","date_gmt":"2019-12-10T19:03:00","guid":{"rendered":"http:\/\/joelleguillais.com\/?page_id=28"},"modified":"2019-12-21T16:42:47","modified_gmt":"2019-12-21T16:42:47","slug":"joelle-guillais","status":"publish","type":"page","link":"https:\/\/joelleguillais.com\/?page_id=28","title":{"rendered":"A Propos"},"content":{"rendered":"\n<p class=\"has-larger-font-size\">Jo\u00eblle Guillais est une \u00e9crivaine fran\u00e7aise, docteur en Histoire, essayiste engag\u00e9e et fondatrice de <a href=\"https:\/\/www.maisondelecriture.fr\/\">La Maison de l\u2019\u00c9criture<\/a>. Elle a notamment publi\u00e9 La chair de l\u2019autre, histoire du crime passionnel au XIXe si\u00e8cle. Elle a \u00e9galement contribu\u00e9 \u00e0 l\u2019\u00e9criture de l\u2019Histoire des femmes avec des r\u00e9cits comme La Berthe (Plon) ou encore Agn\u00e8s E (Plon).<\/p>\n\n\n\n<p class=\"has-larger-font-size\">Sa perp\u00e9tuelle envie de d\u00e9couvrir de nouveaux horizons, de nouveaux visages, ne lui a pas fait oublier sa r\u00e9gion natale : le Perche, racont\u00e9 dans plusieurs romans mettant en sc\u00e8ne le monde agricole contemporain : Les Champs de la col\u00e8re, La Ferme des orages (Pocket), \u201cafin d\u2019en finir avec la lecture nostalgique du rural qui le discr\u00e9dite au risque de nous rendre autiste \u00e0 sa diversit\u00e9 et \u00e0 ses probl\u00e8mes qui sont les n\u00f4tres demain\u201d. Elle a aussi rendu hommage \u00e0 Pierre Bourdieu dans La teinturerie, un texte dr\u00f4le et \u00e9mouvant.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-green-background-color has-green-color is-style-dots\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"689\" src=\"http:\/\/joelleguillais.com\/wp-content\/uploads\/2019\/12\/Num\u00e9riser0001-1024x689.jpg\" alt=\"\" class=\"wp-image-56\" srcset=\"https:\/\/joelleguillais.com\/wp-content\/uploads\/2019\/12\/Num\u00e9riser0001-1024x689.jpg 1024w, https:\/\/joelleguillais.com\/wp-content\/uploads\/2019\/12\/Num\u00e9riser0001-300x202.jpg 300w, https:\/\/joelleguillais.com\/wp-content\/uploads\/2019\/12\/Num\u00e9riser0001-768x517.jpg 768w, https:\/\/joelleguillais.com\/wp-content\/uploads\/2019\/12\/Num\u00e9riser0001-1536x1033.jpg 1536w, https:\/\/joelleguillais.com\/wp-content\/uploads\/2019\/12\/Num\u00e9riser0001-2048x1378.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-green-background-color has-green-color is-style-dots\"\/>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"has-black-color has-text-color wp-block-heading\"><a href=\"https:\/\/www.maisondelecriture.fr\/equipe\/#e6c234cf46c4ce4d4\"><strong><br>Bibliographie<\/strong><\/a><\/h3>\n\n\n\n<p><strong>\u00abLes grisettes ou l\u2019imaginaire amoureux au 19\u00e8me si\u00e8cle \u00bb<\/strong>, in Femmes et solitudes, textes rassembl\u00e9s par Arlette Farge, Montalba, 1985.<\/p>\n\n\n\n<p><strong>La chair de l\u2019autre, histoire du crime passionnel au 19\u00e8me si\u00e8cle<\/strong>. Doctorat d\u2019histoire sous la direction de Michelle Perrot, publi\u00e9 par Anthony Rowley, Plon 1987, Editions Polity Press, 1989.<\/p>\n\n\n\n<p><strong>La Berthe<\/strong>, r\u00e9cit, Plon, 1989, Pocket, 2008.- \u00ab Sexe, paroles et t\u00e9l\u00e9phone \u00bb, Les cahiers de l\u2019imaginaire, 1999<\/p>\n\n\n\n<p><strong>Agn\u00e8s E<\/strong>, r\u00e9cit, Plon, 1997.<\/p>\n\n\n\n<p><strong>La ferme des orages<\/strong>, Laffont, 1999 ; Pocket, 2000. Adapt\u00e9 pour la t\u00e9l\u00e9vision par Pierre Kassovitch et diffus\u00e9 sur France 3 : Orages.<\/p>\n\n\n\n<p><strong>Les Champs de la col\u00e8re<\/strong>, Laffont, 2000, Pocket, 2002.<\/p>\n\n\n\n<p><strong>La Prime aux loups<\/strong>, Belfond, 2001, Pocket, 2002.<\/p>\n\n\n\n<p><strong>La Teinturerie<\/strong>, Le Reflet, 2002.<\/p>\n\n\n\n<p><strong>Barbie rousse, sujet tabou<\/strong>, Le Reflet, 2003.<\/p>\n\n\n\n<p><strong>Mauvaises nouvelles litt\u00e9raires<\/strong>, Atelier Mot \u00e0 Mot, 2006.<\/p>\n\n\n\n<p><strong>La Pesticide<\/strong>, Editions Jean Paul Rocher, 2008.<\/p>\n\n\n\n<p><strong>23 mecs comme \u00e7a<\/strong>, Editions Synaspe, 2015.<\/p>\n\n\n\n<p><strong>Matin de Fers<\/strong>, Editions Balland, 2019.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jo\u00eblle Guillais est une \u00e9crivaine fran\u00e7aise, docteur en Histoire, essayiste engag\u00e9e et fondatrice de La Maison de l\u2019\u00c9criture. Elle a notamment publi\u00e9 La chair de l\u2019autre, histoire du crime passionnel au XIXe si\u00e8cle. Elle a \u00e9galement contribu\u00e9 \u00e0 l\u2019\u00e9criture de l\u2019Histoire des femmes avec des r\u00e9cits comme La Berthe (Plon) ou encore Agn\u00e8s E (Plon). [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/about-page.php","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jo\u00eblle Guillais | \u00c9crivaine, Historienne.<\/title>\n<meta name=\"description\" content=\"Jo\u00eblle Guillais est une \u00e9crivaine fran\u00e7aise, docteur en Histoire, essayiste engag\u00e9e et fondatrice de La Maison de l\u2019\u00c9criture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/joelleguillais.com\/?page_id=28\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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